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Head over to YouTube and type in “Eruption Cover,” and you’ll find 12-year-old kids that can rip through Eddie’s signature one-minute-and-42-second solo with pinpoint accuracy. Which speaks
less to the difficulty level of the instrumental, originally part of Eddie’s pre-show warm-up regimen, and more to its status as a modern-day musical standard. Indeed, it’s only slight
hyperbolic to say that there’s rock-guitar soloing pre-“Eruption,” and then there’s everything (the entire 1980s, for starters) that came after. The first half of the song is all big
power-chording and high-speed shredding (with a tip of the hat to Cactus’ 1970 boogie-rocker “Let Me Swim”), but then Ed drops the A-bomb: a series of cascading note triads that he sounds
using two-handed tapping — “like having a sixth finger on your left hand,” he said — that are so mesmeric, so _alive_, it’s as if you’re witnessing him build a bridge to the future of guitar
in real time. Eddie, of course, wasn’t the first person to ever tap a note on a fretboard, but, as he explained in 1978, other players “popped the finger on there to hit one note. I said:
‘Well, fuck, nobody is really capitalizing on that. … So I started dickin’ around, and said, ‘Fuck! This is totally another technique that nobody really does.’ Which it is. I haven’t really
seen anyone get into that as far as they could, because it is a totally different sound.” That sound rearranged the DNA of rock guitar forever. _R.B._