The nine rasas or the Navarasas were first articulated in the Natyashastra (written sometime between 200 BCE and 200 CE) and since then the nine elemental emotions have formed the core of

Indian performing arts. This World Theatre Day, if you can't make it to go to a theatre space to witness a play, tune into your TV sets and watch these nine engrossing teleplays soaked

in the emotions of ‘Adhbuta’ (wonder), 'Hasya’ (mirth), 'Raudra' (fury), 'Karuna' (compassion), 'Beebhatsa' (disgust), 'Bhayanaka' (horror),

'Shringara' (love), 'Shanta' (serenity), and 'Veera' (valour). 'MAMMAD BHAI' AND 'EK FILM KATHA' Manto’s ‘Mammad Bhai’ and Harishankar

leave the audience wonderstruck while ‘Ek Film Katha’ will also evoke surprise at the way the hackneyed story of a hero (Rakesh) saving the heroine (Ranjana) from the goons and battling the

villain (Thakur Suraj Singh) unfolds. ‘Mammad Bhai’ is narrated by Vineet Kumar while Gopal Dutt narrates ‘Ek Film Katha’. GUDIYA KI SHAADI This Samta Sagar and Sourabh Shrivastava

directorial deals with colourism and the tyranny of beauty norms in a light-hearted way that evokes ‘Hasya’ or mirth. The protagonist of the play, Gudiya (Shweta Basu Prasad) loses her

eyebrows on the eve of her wedding by mistaking a hair remover for a fairness cream and this creates a furore in the family. She is unfazed by the confusion and judgment around her and

continues to hold on to her self-belief with a large helping of humour, indirectly questioning patriarchal beliefs about what a woman should look like. SHIREEN SHAH The emotion of

'Raudra' or rage is well explored in the play, ‘Shireen Shah’, jointly directed by Sourabh Shrivastava, Kalyani Hiwale, and Maneesh Sharma. The story is set against the backdrop of

the 2002 Gujarat riots and delves into the wounded psyche of the protagonist, Astha who accidentally meets her tormentor after years and is overcome by fury over what she was put through.

Will Astha take revenge or forgive the man who she believes has taken away her sense of self from her? ‘Shireen Shah’ stars Dilnaz Irani, Harsh Khurana, and Joy Sengupta. RUDALI The classic

Mahasweta Devi story 'Rudali' (professional mourner), explores 'Karuna' and emotions of empathy, sorrow, loss, grief and healing. Through the journey of its protagonist

Sanichari, a resilient Dalit widow, 'Rudali' also highlights the stark realities of marginalised women who exist on the fringes of caste and class privilege. Directed by Suman

Mukhopadhyay and Usha Ganguli, this story is about Sanichari's quest for love and dignity and indirectly reveals how little empathy or 'Karuna' we have for the invisibilized

amongst us. The play stars Usha Ganguli, Yama Shroff, and Kalpana Thakur. AKASMAT 'Akasmat', portrays the emotion of 'Beebhatsa' or disgust and revolves around an

unfaithful husband, Pratap who is having an illicit relationship with his secretary, Rashi. While driving with her on a dark rainy night, h night, he accidentally causes the death of a

cyclist, who happens to be his son. Pratap’s wife Charu, unaware of this incident or her husband's extramarital affair is determined to find the murderer of her son. Will she be able to

find the truth? The cast includes Shubhrajyoti Barat, Ashwini Bhave, Ipshita Chakraborty Singh, Sanjay Swaraj, Vijay Kenkre, Vibhanshu Vaibhav, and Hans Saxena. SAVITA DAMODAR PARANJAPE The

supernatural thriller play, ‘Savita Damodar Paranjape', jointly directed by Swapna Waghmare Joshi and Rajan Tamhane will evoke the emotion of 'Bhayanaka' or horror in the

audience. Kusum and Sharad are a childless married couple, leading a happy life until Kusum starts to develop stomach cramps and exhibit unusual symptoms. Later, it is found that she is

possessed by the spirit of the couple’s common friend, Savita, who killed herself because of her unrequited love for Sharad. The play starring Shilpa Tulaskar, Vinay Jain, Aroh Welankar, and

Pooja Welling. RAHENGE SADAA GARDISH MEIN TAARE 'Rahenge Sadaa Gardish Mein Taare' is a tribute to the Indian cinema of the 1950s and is redolent with the fragrance of ‘Shringara’

or love. The relationship drama is loosely inspired by the life of the filmmaker Guru Dutt and his wife, playback singer Geeta Dutt. The play gives audiences an insight into a deeply loving

and tender relationship that turned tumultuous and toxic with time. The Saif Hyder Hasan directorial stars Sonali Kulkarni and Arif Zakaria. LADIES SANGEET This Purva Naresh directorial

ends on a note of peace ( Shanta) though it begins on an uproarious note, against the backdrop of a big fat Indian wedding between Radha and her beau Siddhartha. The wedding is taking place

in an ancestral haveli in the hinterlands, in true cinematic style but Radha senses some discord between her parents and her doubts about the institution of marriage begin to multiply. The

play slowly reveals family secrets, explores the conflict between tradition and individual freedom and finally reaches a joyful and serene culmination. The play stars Joy Sengupta, Nidhi

Singh, Siddhant Karnick, Loveleen Mishra, Harsh Khurana, Sarika Singh, Monica Gupta, Niranjan Iyengar, Mallika Singh, and Nivedita Bhargava. PURUSH Through the unvanquished spirit of its

protagonist Ambika, this Sourabh Shrivastava directorial reveals to us the true meaning of 'Veera' or courage. ‘Purush’ is a mirror of Indian society, with different characters

displaying diverse shades of patriarchal beliefs. However, Ambika who is a school teacher will not accept injustice in any form and refuses to see herself as the victim of a gender crime

committed by a powerful politician. With her indomitable spirit and courage, she fights for justice, not only for herself but also for other suppressed women, including her mother. The play

starring Ashutosh Rana, Gulki Joshi, Paromita Chatterjee, Deepak Qazir, Kranti Prakash Jha, and Neha Saraf. _These plays are streaming on Zee Theatre._